Tag Archives: audition

Being in Voice: The Acting Class is Back!

OK! Now that the excitement of mounting a full scale production for Thunder’s Mouth Theatre is all over, everybody has been paid their share of the profits – and there was a profit, thanks to our steaming fund-raising campaign and my finely-tuned budgeting, the time has come to prepare for the new year, and the good news is: The Being in Voice Acting Class is Back.

Bookings are now open, and I suggest you don’t mess about because I have decided that I will only work with six (6) people at a time. So, the first season is 6 classes, 3 hours each, for six participants. This means we can train as an ensemble, create scenes as well as work on monologues, and also get individual attention.  It will be challenging for all concerned, myself included, and I CAN”T WAIT!

Did I say I’m excited?  Or did you guess…

Who wants to come and play with me?  Full details at the Being in Voice website.  Pass on the good news.

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Onwards and Upwards

umair shuaib.
Image via Wikipedia

It’s that time of the year again, the time of reflection and readjustment as we dive into the festivities, and prepare to emerge after the new year with enthusiasm for whatever wonders it may bring.

The Sonneteers
Image by flloyd2010 via Flickr

This year has been a cracker, as most of my family, friends and colleagues have noted. It shot by most of us in a haze of sparkling sulphur, whirling us giddily into a spin of delight, confusion and exhaustion. Was I really there? Did I do that? Were you there when it happened?   I feel I need someone else to validate this past year for me, it was so rich and yet so fleeting.

Being in Voice, The Acting Class had an extraordinary year, with some students continuing on from last year, new students joining the pool, and visits from past students adding to the richness of the mixture.  We finally got to perform, as a student ensemble, when the BitsFestival gave us the opportunity to present our ten minute show The Sonneteers.

I am now planning for next year’s Class, with e-flyers scheduled to go out over the weekend (after I recover from the Christmas Prawns). The Class will begin on Sunday 7th February, and we will be getting very up close and personal with our voices from the word ‘go’. As usual, I am struggling to find ways of explaining what we do in terms that make sense to anyone who hasn’t worked with us before. Why does it seem to hard to communicate how working on the voice is actually working on your whole fabulous self? Why is it so difficult to explain that actor training involves learning a host of techniques and skills, and they all involve the voice? As you can see, I’m still working on my thesis…

So I’ll just say that working on your voice means developing your creative potential, and keeping yourself physically and vocally fit at the same time.  It means honing your craft as an actor, as you acquire new skills and techniques and gain experience in performing with other creative individuals.

I’ve received some wonderful testimonials from the students, and I’m looking forward to working with Mara, Paula and Shikhara again in 2010. All our very best wishes go to those who have moved on, to Jean Marc out there on the Rig, and to Tegan in Melbourne, to Robert who will be working on his amazing new project (congratulations on getting accepted by the Metro Independents Program!).  David will be coming back, but this time officially as my assistant teacher.

Here’s wishing you and yours a wonderful festive season, I hope you find yourself on the other side of Hogmanay rested and relaxed, ready to face another year of fireworks and crackers, all of them exploding creatively with love and peace.

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The fate of June Bloom

There are some pretty cool tools out there on the world wide web, including Wordle, which creates a 'cloud' from text you enter into it. Following the example of Canadian actor Kris Joseph http://www.krisjoseph.ca/, I extracted all of June’s lines from the script, and entered them into the Wordle. Here is my cloud:

Wordle: The Fall of June Bloom

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Preparing a Monologue

Now that you’ve chosen a monologue to work with, here are some thoughts and ideas about how to begin to approach the text.

Start by thinking about, and acknowledging where you want to end up – sounding as if you know what you are talking about – sounding as if you are the character who actually speaks those specific words because they express what the character needs to say at that moment.

Rather than trying to ‘do acting’ at the beginning, begin by getting familiar with the actual words, by taking the time to say those words clearly, honestly and specifically.

I’ve chosen a short passage from Romeo and Juliet, but the same principle applies to contemporary text, to ALL text.

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Choosing a Monologue – the Podcast

At last, I think I have figured out the system!  If you’d like to hear, rather than read, the blog on Choosing a Monologue, here it is:

Now, if you want to hear The Master talking about film acting, and giving some absolutely fantastic tips, here is Michael Caine being interviewed for The Film Programme, BBC Radio 4.

http://www.bbc.co.uk/programmes/b00k01ny

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